Tag Archives: Atlanta

How About We Continue “The Fiction Talk.”

Blog2018People applaud Proctor and Gamble for their commercials “The Talk.” The television show Blackish devoted an entire program on “The Talk.”

What you should know about The Talk, is that parents from the majority culture in the United States, will not have The Talk with their children. So, those of you, who don’t know about The Talk, find out at the links above, after reading my article.

For me, The Talk also hits home when it comes to fiction writing. I, often, include what I call “The Fiction Talk,” extending it beyond the words on a page.

At my university, the students in the Graduate Fine Arts program, are predominately white. Therefore, I find myself as the lone author in a writing workshop, for example, attempting to enlighten the students, who think The Talk in fiction, is off-putting or offensive. Attempting to explain, why I choose to demonstrate in some of my writing (depending on the character), why police, for example, profile African Americans. And although I am writing fiction, based on real life statistics, it contrasts their view of an “Officer-Friendly.”

What inspired me to also touch on this topic, is an article I read: Start Here: How to Get Your Book Published. There was a clever diagram in it, offering a snapshot of publishing categories, with a variety of sub-categories. The information promoted mainstream avenues. There was no mention of subcategories such as multiculturalism, urban fiction “dubbed street literature or gangster literature” fiction. Neither LGBT, or multigenerational for that matter, received a mention. Nothing wrong with that. There are authors who don’t want to be pigeon-holed. Book sellers do not classify my work under niche categories, but I have The Fiction Talk, like other authors, who do not feel compelled to shelve their work under niche categories, to have or not have, The Fiction Talk.

We live in a country divided by culture and race, despite some fiction authors claiming readers do not want to hear about it—claiming it does not exist. Much like the current White House Administration (Unnamed because I refuse to give them a voice) and their supporters. Writers expanding their words beyond mainstream ideals, must be more courageous and outspoken, keeping The Fiction Talk in the forefront. It is our right.

Publishing today can be a gamechanger, if you find the right avenue that works for you. Publishing is broader and includes more than adding self-publishing to the list. Given the additional sub-categories mentioned above, they do deserve a mention. Readers are very diverse, like writing, and reflect society of today. There are some readers, who hunt for titles, listed under their niche interests. I know a Lesbian woman who says she purposely looks for books labeled under an LGBT category. There are commercial publishers interested in these types of fiction categories. Authors may opt to choose one because of the difficulty obtaining a mainstream publisher; they may want to proudly display culture, opposed to following the lead of publishers, wanting manuscripts that assimilate culture, rather than tout real-life diversity.

There is a variety of ways authors can represent The Fiction Talk, for readers hungry to understand what all The Talk is about. Wanting to learn how to be more tolerant, rather than jump to defend. As determined writers, it is our passion to inspire understanding. That is why the title of this blog is: How About We Continue the “Fiction Talk.” A statement, not a question.

In truth,

Amani Shakhete

Leave a comment

Filed under African Americans, Amanishakhete, authors, news, women, writers

Authors mustn’t stop dreaming

Remembering the old days. Sitting alone in a room – being a hermit of sorts – smashing out the next word on an old fashion IBM with no backspace, using paper or liquid white-out. Ugh! Or how about writing out an untold drama, in long-hand, on lined-paper, hoping like hell you don’t make too many errors because you made the mistake of writing in ink. Cause it looked nicer or would not fade as easy as in pencil? Who knows. From day one, writing a book in high school never to be published, was something I cared more about than almost flunking Algebra – only dad cared about. Okay, so maybe that is too far in the past for some. But, I have not forgotten.

Fortunately, authors now have far more resources to “write and write well (Connolly).” We don’t have to be hermits. We cannot afford to. If we are lucky, we have fulltime jobs to finance our professions. Us authors still struggling to brand ourselves. Unlike the well-established ones who can afford my favorite meal – a T-Bone Steak, Shrimp and Lobster with white wine followed by Cognac—Courvoisier preferably.

We must dream and dream big. Do so knowing that we do not have to live the life of a starving artist. Rather, live life and use it as the backdrop for more great stories. Take time to immerse in a good book; chat with fellow writers in virtual meet ups.

You are not alone in this great big universe of infinite words, waiting to inspire us toward the next great big book deal.

Leave a comment

Filed under African American, Amanishakhete, women

Will more African American Authors get their overdue recognition?

This is a blog I wrote a few years ago–updated with a title change. It is still relevant but my life has changed. I now live in Atlanta, GA. And this series, so far, has three-parts under the series title “The Tippy Ellis Story.”  You can find her on Amazon.com and a host of other bookstore retailers. 

As a new author to the fiction world, I am amazed at the wide range of talented black writers in this industry. Many authors we’ve heard of Carl Weber, Terry McMillian, Alice Monroe, Tony Morrison, Walter Mosley but numerous authors have yet to be acknowleged or celebrated.  For example, if you search for African American authors on-line at Barnes and Noble the results will come back with over 3,000 titles. Amazing huh?  Yep, black folks have passion for much more than basketball, singing and hip hop.

From what I’ve seen, even the most popular black authors rarely grace the front pages of major magazines or mainstream news. Seemingly, we have to fight our way to the forefront – to be seen – hoping to be heard and applauded for our works.

We have passion for what we do. Our individuality inspires great writers with great stories, offering ideals from a variety of black experiences beyond your typical street and hip hop literature, which appears to be growing in popularity – this is of no surprise.

Perhaps me being synical comes from living in a city called Portland, Oregon where blacks are 2 percent of the population if that. We usually get recognized if we commit a crime or if we belong to a closed niche group of black folks who the major news outlets recycle, making it sound like only a handful of black folks are doing good deeds, doing  great things.  I guess we can be grateful for our black media. But in my experience the geographical reach of black media, depending on where it is, is smaller. Further, the welcome mat doesn’t come easy and often expect to go unnoticed unless, of course, you already have the word celebrity attached to your name, or you know so and so at the corner store or church. There are exceptions.

So what advice is there for new black authors on the scene or for those interested in joining the long list of names already in the industry?

I’ve spent the past almost year writing my first novel, the first in a series, Diary of Tippy Ellis “Mama’s Daughter” and opted to self publish after having a focus group of early readers review the final draft. Inspired by my own life surrounded by often tragic circumstances, the Diary received raving reviews. I’m also a marketing and branding professional by trade so I am fortunate to have skills to self promote. Yet, I’ve found that introducing myself to the fiction world isn’t easy.  So far, I’ve been met with resistance and the money train is nearing empty.

To get the credit we deserve? I guess I have to rethink what that means. Change my blueprint and adhere to my mission for this series, which is to “Give young black women a voice” and to keep the spotlight on violence against women.  Both are crucial causes worth fighting for. Hence, I don’t need credit for that but the drive to continue the movement. Onward to part two.

In truth,

Boss Amanishakhete, author and Word-Soul artist

Trailer:  Diary of Tippy Ellis “Mama’s Daughter” by Boss Amanishakhete

Atlanta and Portland provide backdrops for a dynamic story about Latonya “Tippy” Ellis – 17 and black – who battles the pressures of drugs, alcohol and sex, while coming to grips with past family secrets. Through dealing with the trauma of murder and violence, Tippy learns to navigate the gauntlet of close friendships, love and life.

Diary of Tippy Ellis “Mama’s” Daughter” is currently on-line at Createspace.com and Amazon.com (paperback and kindle)

Leave a comment

Filed under African Americans, Amanishakhete, authors, news

Science Fiction inspires reality

 “Science fiction is the only genre that depicts how society could function differently. This is the first step towards progress as it allows us to imagine the future we want, and consider ways to work towards it. It also makes us aware of futures we wish to avoid, and helps us prevent them. (Klus)

This powerful statement by Dr. Klus sums up what I have learned over the past 10 weeks regarding science fiction. And that it is much more than a popular genre that can sell thousands of books just because. The ideas and foresight coming out of the minds of deep and futuristic thinkers, takes us on a journey of human spirit, turning longing for a more exciting future or something better than our present into possibilities or even reality. This very thought inspires me to finish my sci-fi novel. Although, admittedly, I have often thought about setting it aside and crawl back into my comfort zone.

But the dream of a Utopian society I want to create in this new read, is not without struggle. Such is life when trying to build something bigger and better. So far, working through this novel with the help of fellow students, continues to offer me a look inside this infinite and ever-expanding universe with so many dimensions we can only see through writing sci-fi. Like Klus says “Everything that’s physically possible is actually happening somewhere.”

Chatting it up with fellow writers in my virtual meet up reminds me, I am not alone in this cosmos of infinite words, waiting to inspire me “to imagine the future I want, and consider ways to work towards it.”

Leave a comment

Filed under Amanishakhete, science fiction

MURDER, SEX, DRUGS, PROFANITY—TOO REAL FOR THE YOUNG ADULT GENRE?

 

 

PRESS RELEASE

(Portland, Ore.) – Young adult fiction writer Boss Amanishakhete does not shy away from the controversy. Instead she takes it head on in her latest installment the Tippy Ellis Story 3 “Holla Me Bad,” where she’s passionate about creating fiction with characters to which today’s youth can relate.

This explosive new novel opens with 17-year-old LaTonya “Tippy” Ellis on the run from a malicious father who wants her committed to a mental health institution. Not because she’s crazy, but because he wants her $100 million dollar trust fund.

So then what is or who is Holla Me Bad? You’ll have to read the story to find out. But in short, it could reflect the attitude of anyone of the Tippy Ellis series characters, even though, the term is introduced by one. “Holla Me Bad ‘cause I’ma bad ass. Once you recognize you can’t help but to holla.”

Part 3 brings to light the sometimes painful, dark side of life that some adults wish to keep hidden or at least out of reach from teenage readers. Amanishakhete recognizes the power of words and self-imposed a notice to readers that she recommends her book for mature audiences 16 and up, but does not compromise on how kids really talk.

“I want young adult readers to see themselves in this story and feel validated,” says Amanishakhete, “that’s why I’ve created characters who act, talk, think and experience real life, not a sugar-coated version of adolescence. But at the same time I aim to present a variety of teachable moments for today’s young adults, especially young women.”

Amanishakhete joins other YA authors who challenge the belief that teens should be protected from exposure to certain language, content or subject matter by banning or censoring books. From bestselling authors to first time writers, they unite in favor of providing this fast-growing YA audience with true portrayals and real life experiences that mirror the lives of youth living in today’s information age.

Amanishakhete says her own colorful, adventurous and sometimes tragic life inspired her novels. “Holla Me Bad’s” edgy storyline engages both mature teens and adult audiences, as an African-American teen nicknamed “Tippy” finds herself without a voice, literally, when she suffers emotional and psychological trauma, resulting in her incapacity to speak. Estranged from the people who raised her, Tippy tries to make sense of things on her own, and fights to save who she is and shape who she will become. Foes make their moves and victims try to overcome the life-changing effects of murder, abuse and deceit.

Portland and Atlanta play the primary backdrop for the Tippy Ellis Story. This third installment dares to keep you on the edge of your seat while Tippy’s world unravels as she tries to hold on to the life she once knew. Even her BFF TiAnna lashes out. Then there’s Darius and Jeremy vying for her love. Remember daddy Robert T. Ellis? He’s got more surprises. Ask Unc Rae Rae. So who will be the last one standing?

“Holla Me Bad” Tippy Ellis Story 3 is on sale now at Amazon.com, Kindle eBook, Barnes & Noble and other electronic outlets. Stay in touch with Amanishakhete through her website and facebook, including information about book signings and book fairs at http://www.Ladybosswordsoul.me, http://www.tippyellis.me or Tippy’s Facebook page. For a media kit, to review a copy of the book, arrange an interview or book signing contact Lenora Daniels Media at ladybosswordsoul@gmail.com.

HOLLA ME BAD ISBN-13: 978-0615999777.

 

Leave a comment

Filed under Amanishakhete

Pacific NW author inspired by own life uses Portland as backdrop for the Diary of Tippy Ellis

As an African-American growing up in Oregon, I believe I offer a perspective that may be different from being raised in a  predominately African-American community. My family was stationed here in the late 60s – Astoria and Salem – where my father was a Captain in the Air Force reserves.  Here we were isolated from the larger black experience.  The community was small in comparison to larger cities due to the less than 2 percent black population which remains that way today. Despite that, we had parents with southern roots, so as kids we spent our summers in Alabama and Georgia. As an adult, I have traveled and lived around the country including Great Britain.

I consider myself an international woman due to my diverse experiences which inspired me to write and publish the Diary of Tippy Ellis series, using Portland as one of the geographic locations for Tippy’s story.  The city offers a unique backdrop for this young adult fiction novel, featuring a black teenage heroine born and raised in Atlanta, Georgia only to be uprooted and moved to Portland in her senior year of high school.

In contrast to my experience, Tippy Ellis comes from a city which is predominately African-American. Therefore, her perspective  about Portland offers a unique insight on how many blacks may feel once they relocate here. Readers should know I use the geographic location and community perspective as merely a backstory amid the scandals, intense plot and numerous twists in the Diary of Tippy Ellis. Part One “Mama’s Daughter” leaves readers craving for part two which is slated for release in 2014.

Below is an excerpt from The Diary of Tippy Ellis, giving credence to Portland’s rap music scene which features a large number of white male hip hop artists. Currently this novel is on sale at Barnes and Noble.com, Amazon.com and Createspace.com.

Chapter  29  “Wigga Got Swag”

I watch Julie disappear into the house. Shit. Maybe I should leave. I’m pretty outgoing, but I don’t know how to make friends with these white folks. I start to head back in when someone grabs my arm. Out of instinct I pull my arm away, turn around and prepare to give the person who touched me without permission a “Got your damn nerve,” look.

“What up girl. Ain’t it past your bedtime?” What! It’s the white boy rapper AJ DaMenace.

“Hey,” I say smiling and give him a hug. I wanna say thanks for rescuing me but instead say, “What you doing hanging?”

“Dis my crib,” AJ says. “I’m letting my little brother host his gathering here. Good thing I’m the only house at the end of the block. Police would have a field day. But then our dad works for the Portland PD.”

“Your daddy’s the Po Po?” I say, leaning my neck back lookin’ at him.

“Ha! I’m lying,” he says.

“You must be the one playin’ the rap music,” I say.

“Girl you’d be surprised how many white kids love hip hop,” AJ says. “I’m sure you’ve already been schooled about Portland.”

For the first time I notice his diction. Hm. A white boy trying to sound ghetto. A wigga we call ‘em back in Atlanta.

“Wanna dance?” says AJ.

The song playing is unfamiliar but good dancing music. “I can dance to that,” I say. “Who’s flowing?

He pulls me over to the side near one of the tents. He’s still grinning, “I hear some rap artist named DaMenace. Pretty swank huh.”

“Ooo bangin’” I say, leaning my head back.

AJ DaMenace starts dancing. I guess that’s my cue. There’s not much room so we’re standing pretty close; close enough so we don’t have to shout. This feels funny. I’ve never been this close to a white boy before. He smells good and he’s not bad to look at.

He keeps his blonde hair cropped close to his head and he’s damn cute when he smiles. His whole face widens, creating laugh lines around his smile which shows off his pretty white straight teeth. He has diamond earrings in his kinda large ears but the rest of his finess overshadows them.

AJ’s telling me about his career like why he took on the stage name DaMenace, he pulled from the ol’ school Dennis the Menace show.

“Like Dennis the Menace I’m innocently sneaky but don’t mean no harm,” says DaMenace.

“So I need to watch you,” I say teasingly.

“Girl you can watch me all you want,” he says. Um. Wigga trying to flirt.

DaMenace graduated from Grant High School last year. His parents wanted him to go to college but stayed in the music business.

“They don’t like hip hop. They’re ultra conservative, big time Republicans who hate Obama,” he says. “We sure don’t see eye-to-eye on a lot of things.”

AJ tells me his parents tolerated his friendship with Jerome.

“We were thick as thieves, inseparable,” he explains. “Later they began to like him. He turned on the Jerome charm. Anyway what’s not to like, right?”

I nod and lower my head for a moment.

“So what about you, girl?”

“Huh would you believe, I got staunch Republicans on my mama’s side?”

“Naw for real?”

“Yeah but my daddy’s as liberal as they come. So I get my ideals from him since he’s my only parent now.”

“Oh? Your parents not together?”

“Mama died when I was 7.”

“Sorry ‘bout dat. You lucky ta have a liberal daddy doe.”

The music is slowing down to a song called Emergency by Tank. AJ pulls me close without asking and begins swaying back and forth. Jeremy is the only boy I’ve slow danced with and it makes me nervous. But AJ is being cool wit’ me.

I’d forgotten about Julie. She shows up out of nowhere, tapping me on my shoulder. I turn my head toward her. Her face is right up close to mine. Hm. Hope her breath don’t stink.

“I see you’re in good hands. Sorry I left you,” she says, lowering her head a little.

Hm. A little late for sorry, I’m thinking. Anyway, I guess I’m in good hands.  I got my arms around AJ’s neck and he’s got his around my waist. Looks like Julie’s been in good hands too. Her hair is messy, make-up is almost gone and she and her boo are cheesing. They must’ve found some place to do-the-do. Ooo nasty. Doing it in someone else’s house without permission.

Julie and Jason are going to another party and asked if I wanted to go. At least they asked this time.

“I’ll make sure she gets home safely,” says AJ. There he goes again not asking. But I don’t wanna hang with Julie and Jason. I might get left again and not be as lucky.

Julie pooches her lips out, giving me, “Ooo girl.” In return I give her the “cutesy-girl” wave using my right four fingers. Then she hugs me around the neck.

“Don’t do anything I wouldn’t do,” she says in my ear. For a minute she sounded like my BFF.

Once they’re gone…

 AJ says, “Hungry?”

“Naw,” I say.

“Wanna go for a walk den beautiful?”

“Okay,” I say blushing.

AJ takes my hand and we walk back into the house. On the way to the front door, he grabs his brother and makes him walk out with us. Barry looks like the guy Shonny almost ran over at school and flipped-off. Poor guy. Who’d name their kid Barry? My white math teacher back home name’s Barry. He’s got a corny sense of humor and laughs at his own jokes.

“Hey no fuck ups,” says AJ.

“Yeah, yeah,” says Barry.

“I’m leaving my boys in charge to keep the peace. Hey and watch the drinkin’!”

“Yeah yeah,” says Barry, walking away waving his brother off.

“I ain’t playin’. They’ll kick all y’all out if you start any shit!” says AJ. His brother has made it back to the front door. He waves again like saying “Whatever.”

Me and AJ walk down to the park. It’s clean and well-maintained with a few park benches, tables and playground equipment like a big slide, swings, monkey bars and a seesaw. The park also has several tall iron lamp polls with lights  bright enough to see in either direction. The dozen houses way in the distance all have their lights on, adding to the parks serene ambiance.

AJ says the houses were built within the past 2 years. This use to be an industrial area. There are still some vacant buildings developers plan to take down next year.

We sit close to each other on one of the park benches and AJ puts his arm around my shoulders. “Cold?” he says.

“Naw,” I say.  Hm. DaMenace is bold. He don’t know me like that. But I better be cool. He’s my ride home.

“My house use to belong to the owners of an auto repair shop,” says AJ. “I worked for the owner from the time I was 13 up to last year. Me and the owner’s son are cool. That’s how I learned to be a mechanic. I got my mechanic’s certificate last year.”

“Oh yeah?” I say. “Jack of all trades I see.”

“It pays the bills for now,” says AJ. “I can afford the payments on my house, I got on a lease option.”

I’m smiling. AJ’s braggin’, trying to impress me.

“Ya know I’ve never told anyone else this but you,” he says, hesitantly.

Now I’m thinking he’s gonna say something swank like girl you fine and I wanna get wit’ you. Hm, not sure about a white boy though. But ooo this wigga’s fine, making me get those feelings again – like with Jeremy and with Jerome – all the way down to my twot-twot. Okay, girl. Get a grip!

Leave a comment

Filed under Amanishakhete

Will African American fiction authors get the credit they deserve?

This is a blog I wrote a few years ago; however, it is still relevant. Things have changed since then like I now live in Atlanta, GA. And this series so far has three parts under the series title “The Tippy Ellis Story.”  You can find her on Amazon.com and a host of other bookstore retailers. 

As a new author to the fiction world, I am amazed at the wide range of talented black writers in this industry. Many authors we’ve heard of Carl Weber, Terry McMillian, Alice Monroe, Tony Morrison, Walter Mosley but numerous authors have yet to be acknowleged or celebrated.  For example, if you search for African American authors on-line at Barnes and Noble the results will come back with over 3,000 titles. Amazing huh?  Yep, black folks have passion for much more than basketball, singing and hip hop.

From what I’ve seen, even the most popular black authors rarely grace the front pages of major magazines or mainstream news. Seemingly, we have to fight our way to the forefront – to be seen – hoping to be heard and applauded for our works.

We have passion for what we do. Our individuality inspires great writers with great stories, offering ideals from a variety of black experiences beyond your typical street and hip hop literature, which appears to be growing in popularity – this is of no surprise.

Perhaps me being synical comes from living in a city called Portland, Oregon where blacks are 2 percent of the population if that. We usually get recognized if we commit a crime or if we belong to a closed niche group of black folks who the major news outlets recycle, making it sound like only a handful of black folks are doing good deeds, doing  great things.  I guess we can be grateful for our black media. But in my experience the geographical reach of black media, depending on where it is, is smaller. Further, the welcome mat doesn’t come easy and often expect to go unnoticed unless, of course, you already have the word celebrity attached to your name, or you know so and so at the corner store or church. There are exceptions.

So what advice is there for new black authors on the scene or for those interested in joining the long list of names already in the industry?

I’ve spent the past almost year writing my first novel, the first in a series, Diary of Tippy Ellis “Mama’s Daughter” and opted to self publish after having a focus group of early readers review the final draft. Inspired by my own life surrounded by often tragic circumstances, the Diary received raving reviews. I’m also a marketing and branding professional by trade so I am fortunate to have skills to self promote. Yet, I’ve found that introducing myself to the fiction world isn’t easy.  So far, I’ve been met with resistance and the money train is nearing empty.

To get the credit we deserve? I guess I have to rethink what that means. Change my blueprint and adhere to my mission for this series, which is to “Give young black women a voice” and to keep the spotlight on violence against women.  Both are crucial causes worth fighting for. Hence, I don’t need credit for that but the drive to continue the movement. Onward to part two.

In truth,

Boss Amanishakhete, author and Word-Soul artist

Trailer:  Diary of Tippy Ellis “Mama’s Daughter” by Boss Amanishakhete

Atlanta and Portland provide backdrops for a dynamic story about Latonya “Tippy” Ellis – 17 and black – who battles the pressures of drugs, alcohol and sex, while coming to grips with past family secrets. Through dealing with the trauma of murder and violence, Tippy learns to navigate the gauntlet of close friendships, love and life.

Diary of Tippy Ellis “Mama’s” Daughter” is currently on-line at Createspace.com and Amazon.com (paperback and kindle)

1 Comment

Filed under Amanishakhete, sex trafficking, women